Should i buy 5d mkii

Remember me. The Canon 5D Mark II came out over a decade ago, so why do so many photographers insist it's a better camera than many new cameras on the market in ? The primary reason why the Canon 5D Mark II is still in the running to be a professional photographer's day-to-day camera in is that it was lightyears ahead of its time when it dropped back in Now, these aren't mind-blowing specs by today's standards, but are they more than sufficient for a lot of photography work?

You bet! After all, it isn't the camera that makes the difference - it's what you do with it. This camera is extremely lightweight. It weighs just 1. As I mentioned above, it has a full-frame Plus, there's no need to recharge your camera in the middle of a shoot because with its lithium ion battery, the camera stays charged for more than 24 hours at a time. He's assembled what would have been the belongings and clothing of a dozen combatants, ranging from medieval to modern-day soldiers.

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This second-generation 50mm F1. I am looking in to time lapse more myself and am curious as to what your workflow is on that. Possible future article? Yeah I will pop something together. It's a very simple thing to set up. It does rack up the shutter count though.

The studio I work still has one Mk II. Not that we love it somehow, the studio owners are cheapskates that run everything into the ground, and this one has miraculously survived.

We make do with them. Still, it churns on until death doth part. In each case all that happened was colorspace got jumbled around, but the cameras reacted the same way. I've never seen anything like it actually. Wood records red hot, and the cameras have the strange phenomenon of imposing a color cast, per image, based on the predominant color in the image.

Prints and artwork are a nightmare. I wound up convincing the company to get a Nikon to shoot prints and artwork, because that was requiring massive retouching re; time. We ran some tests with Nikon, Sony Olympus, and Panasonic cameras and none of them exhibited any excessive color problems Nikon and Olympus were the most accurate.

They worked right out of the gate. I suspect how Canon's "color science" are popular for "skin tones" is the reason behind what we're seeing. The cameras are great for wedding, fashion, portrait, and non color critical stuff like sports and live events like concerts and such. They're well made, robust and reliable machine for sure. The 5dII was the worst camera i have every used the focus was shocking! I have heard a lot of complaints about AF, but with all of the bodies I have used I've never had an issue.

I wince every time I think of the 5D2. As a Canon shooter, that was the last of the truly Oh-Wow moment of my brand -- the camera everyone was talking about, and coveting. Yeah it was a major jump in the world of digital. I think the 5Ds is the next landmark camera, but it's not that much of a leap. It was defective out of the box focusing issues and Canon wouldn't fix it.

So much so that the Camera store I bought it from was so embarrassed by Canon's actions he let me swap to Nikon straight up 3 months after purchase. I might be hated for saying this here and don't want to rain on anyone's parade. I had the original 5D but when the mark II came out I absolutely despised it.

While I agree they are workhorses, it's not my cup of tea. And I admire anyone that can take amazing pictures with this camera but all it did to ma was made me switch to a different system. I think you might have the numbers mixed up. At any point I could have upgraded, but with the use I give cameras, they would all need repairs eventually to. But, with all of these things its a risk.

My 5D Mark II was a real workhorse for 8 years, until a light snowfall got some moisture inside the electronics and left me with a delightful paperweight. I upgraded to the 5D Mark IV, and love it. Yeah, the 5D2 was a ground-breaking camera in that it was the first DSLR to offer p video, but that was about it.

Everything else about it was a severely held-back version of a 1-series camera, from the Rebel-like AF system, frame rate and other speed-related features, to the image quality that proved to be the tip of the iceberg for Canon hitting a brick wall in terms of base ISO dynamic range.

The thing that solidified my distaste for Canon's business model was an ad that I saw in a magazine: in quite a few issues they ran an ad for the 5D2 which had a fisheye shot of a gorgeous Hawaiian sunset, with amazing dynamic range, and whatever tag line Canon thought was smart about the 5-series' newfound resolution boost. After all, it was a lot like the 1Ds3 sensor, so it had to be good, right? Unfortunately, a few issues later, I saw a tutorial article published by the Canon-sponsored landscape photographer who had actually made that image.

I kid you not. This actually happened. If you want to I'm sure you can look it up; it was in Outdoor Photographer Magazine around the time the 5D2 was released, within the first year or so.

Yeah, it was a ground-breaking camera. It was also a dark mark in Canon's history that they should be ashamed of. Yeah I dreamed of owning a few 1DSmk3 bodies, but for the higher specs, the price just wasn't justifiable. I love these work-focused, long-term field reviews.

They are so interesting and useful. The only problem is that you have to wait 3 to 6 years for them. They should be dripping through over the next few weeks. Bravo, Great article I now have the 5DSR which to me is the next logical step up as long you are not doing sports or heavy nature work.

I still carry my trusty 5D MKII as backup and for "junking around" like out on my boat because I don't care if it gets wet. I've taken some of my best work with that camera. I think that camera deserves a lot of props. The 5D2 was a pretty great introduction into Full Frame for me. It was a huge step up from what I had been using in the past and the colors always amazed me.

I felt it was time to move onto something new when I grew tired of bringing it with me while traveling. With a career change I didn't need all of the bells and whistles anymore but I will always remember the build quality that it came with.

It's just too much camera for my needs now. My only gripe was getting lens calibration I could never seem to get it to be consistent and with portraits I'd end up with OOF photos more than I'd like. Could have been user error and wonky lenses more than the camera itself but I could never really get it to work consistently for me. Lens calibration is a really art, it drives me mad and for me to do 3 bodies and all of my lenses, it takes me the entire day! I always seemed to get one lens set, then after getting another lens set, the others I had just done would now be off