Why do women hate sam worthington

Growing up in Perth with his parents and sister, there were no thoughts of acting. His father worked at a power plant, his mother volunteered with the elderly. Above in next year's Clash Of The Titans. Your dream was to work in the local power station or maybe get out of town. On Friday night, we got McDonald's and watched whatever movie dad got from the video store - anything from Lethal Weapon to Schindler's List.

Worthington left school at 17, did a bricklaying apprenticeship and then his father packed him off on a trip around Australia. I did bricklaying, I was a nanny, worked in a sandwich store, anything to get me from one place to the next and it was the best thing Dad ever did for me - it was a way of growing up.

They asked me to read some Tennessee Williams. All I was thinking was, "Thank God I don't have to go to work today. And damn there are some good-looking girls here - it beats mixing cement.

She dumped me a week later. I thought Chekhov was on the Starship Enterprise. I didn't realise he wrote plays. He's managed to slot in four films since he was first cast in Avatar.

Do you prefer action? I didn't get the same kind of rush from the kissing scenes. I think I'll be about 94 by the time it finishes. You know a film is long when some guy has two babies while you're making it. Now commanding millions, you would never know it. Worthington doesn't even own a mobile phone. He looks down at his Australian Blundstone boots, which are falling apart, and grins. It's bought stability for my family, but I don't need it for me - I give my girlfriend Natalie money to go and buy a great wardrobe.

She keeps me on a ball and chain. That was the first holiday I've taken since Avatar. You swim, you sit on the beach. I phoned up my friend and he told me to stop thinking about movies and get a pina colada, so I did, but it was hard to relax.

It's my life, it's one of the best jobs in the world. I go to work and fight robots, kill aliens, run around Berlin as a Mossad agent and kiss beautiful women.

I'm a very lucky man to be honest and I'm enjoying the ride. No comments have so far been submitted. Why not be the first to send us your thoughts, or debate this issue live on our message boards. Argos AO. Privacy Policy Feedback. That's your life'. I didn't get the same kind of rush from the kissing scenes'.

Share or comment on this article: 'I fight robots, kill aliens and kiss beautiful women': Avatar's Sam Worthington hits the big time e-mail. Comments 0 Share what you think. Bing Site Web Enter search term: Search. Fortnite's developer's, Epic Games, are based in Chapel hill, North Carolina and it has rolled-out 14 fireworks at three locations on the map.

Pornhub noticed a Red Dead Redemption 2 spike before game's release. After a long, eight-year wait, the sequel to Red Dead Redemption was released at the end of October. The Rockstar game is so big it even came up as a search term on Pornhub. PlayStation Classic: New games, release date, price and more. Then it starts to get worse. It starts to stop and at the end it becomes long. The film is a defense of American values and self-defense, but then retracts to criticize it and later retracts again on the retracted.

I do not know where I'm going. Nor do I understand why it is necessary to ignite that fire and destroy things. I really like actors. They are all very well, those who are not yet known, will become so. The photograph is typical independent, does not exist. It's white. And its direction, although it does not bore, is not a special address either.

Simple and simple It is very well set. So much in costume, makeup, art. However I do not think it's a movie that goes down in history. Spoiler: I do not understand the sequence when he kills Sam. Why is there such a dialogue? Would someone talk at that time? Not by a long shot. Muna Otaru's lines alone are worth the entire time spent with this film. She plays a slave who is one of the strongest women of trust in God ever portrayed on the silver screen. Hailee Steinfeld, ultra-famous for playing the precocious youngster in the far superior remake of True Grit, appears in this so-called Western we have no genre called Southern as a whimpering, naive, arrogant older teenager--but, as with True Grit and her powerful bit part in The Homesman, she carries the film with equal power to Otaru and Brit Marling whose wounded-and-crying scene is one of the most realistic I have ever seen.

No, you have not seen this film done time and again. You have never seen this story, which reveals the realities of war that we all too often set aside as battlefield anomalies but which, in truth, are always part and parcel of any conflict between two opposing armies. I, for one, would love to see Steinfeld quit the sappy glossy music industry and concentrate all of her talent on making films like this one--or making films in general.

She's just so much better at it. The Keeping Room follows three women who are left alone on a plantation in the south near the end of the American Civil War. While these women are just trying to survive, they are put to the test when two rouge union soldiers. The result is an eerie, heartbreaking, and thought-provoking film about a group of people that we don't think about in history, women of the south. The film also does a good job of showing the dark side of the Union Army. Near the end of the war the union army had the attitude, "War is cruelty.

There is no use trying to reform it. The crueler it is, the sooner it will be over. Thus the burning and looting of southern plantations. While at the same time, this film doesn't glorify the confederacy.

Instead, this film is about a small group of characters caught in a bad situation. Also, this film has some amazing performances from Hailee Steinfeld and Sam Worthington. I've always thought Sam Worthington is an underrated actor, and he is amazing as this film's villain. Hailee Steinfeld's performance simply fantasist. Even though she is only a kid, she is by far the best actor in this film, which goes to show just how talented she is.

I wasn't as impressed with Brit Marling, but this could be because I found her character underwhelming. This movie isn't for everyone as there are some dark scenes.

However, if you have the stomach for it, I'd recommend seeking it out. Depressing but it was a good film. Yes war is cruel, just because men are soldiers does not mean they are good men. You wont regret watching this film. From the director of the Michael Caine vigilante justice movie Harry Brown, comes the story of three girls, two sisters and their slave, living off their land and their wits in order to survive the advances by two rogue union soldiers.

The film aims to deliver a handful of intriguing messages and representations but just falls short in its effort to express them impactfully. However, I must say that the films take on race relations and the representation of the character Mad was fantastic. Wonderfully brought to the screen by Muna Otaru, Mad is the family slave and is therefore an outsider to the family unit of the sisters.

But as the film progresses we begin to learn more about Mad's past as a slave, in fact we learn more about her character than anyone else and so she is the character you warm to and root for the most, especially when having the balls to retaliate and slap Augusta back. As well as race representation, the film also offers a rather positive and interesting representation of gender.

The film is a female lead western which already subverts the genre, the fact that these women are strong and fight back when pushed further reinforces this genre subversion and positive representation of women, away from the weak hookers of almost every other western film ever.

This of course is down to the writing of Julia Hart's script and the performances of the three leads, especially Brit Marling and Muna Otaru and so I applaud their efforts. Although representations were good, narratively I felt the film was weak. The film's pace was off as the film moves slowly but the home invasion moved very quickly. The film doesn't really get started properly until it's about 40 minutes in, I know that relationships need to be established and the film is set on race and gender representations but the films story becomes almost dormant as this happens and also I do feel more should have happened after seeing what the film actually achieves in 40 minutes.

I also fail to see the purpose of the mysterious black man, his character amounts to very little even though the film attempts to give him some purpose in terms of race relations and connections to Mad, but I can't help but feel that this character was rather pointless in the grand scheme of things.

The films ending also falls flat of any real impact, in my opinion, as it feels rushed. I do appreciate the message of the ending but I just feel the execution was a little weak. Overall, The Keeping Room is a moderate film that doesn't quite match the effectiveness it's messages hold.

With a strong cast and representations it's a good representation piece, but the overall film itself is a moderate western. It's a slow and, at times, suspenseful film that aptly follows the opening quote, "The crueler it is, the sooner it will be over.

This story focuses on the side of war most movies bypass. Not the before, or the after, but the last days of it. From one side we have three women, one a slave or soon to be ex-slave trying to survive and hold on to their land without men. One the other side, we have two men, who are raping and killing their way across the countryside.

Different people will see this movie in different ways. For me, this was a tale of how war and devastation changes us. The former grows strong and independent, the latter has left behind his humanity and is a shell of a man, living only to destroy. Not for everyone, the rest of the cast is underused and the movie never feels fully fleshed out but strong performances make for good viewing, at least once.

It is also about the plight of men and women in the world, and the changes that are occurring because women are sick and tired of the insanity men have made of what should be a beautiful world! Tired of the creation of monsters and monstrous behavior created and sustained by out of balance men. The world won't be free of them till women run the world entirely all countries and predominantly in all facets every form of government, art, science, etc. There is a reason there is a queen bee and drones.

This movie is proof positive that men should not be allowed to make plans, but need the basic wisdom of women to manage this world, as they clearly as a species not all individuals lack it. It is that simple. This movie is just another piece of evidence of same. Let us hope that in another years, this insane, archaic, ridiculous behavior of take, take, take and kill whatever you want in order to stay aggressive and insane is over, but that can only happen when women run the world.

This movie lets women know that they must fight to get control. It is the sign that things will change and soon, if we are to survive as a species. This film is about the utter insanity and sadness that men allow themselves to become, be and carry out, leaving women to spend incredible amounts of time cleaning up their madness and the wake of it all.

The ending was absurd however. Everything felt like a brilliant woman writing it, Julia Hart of I'm Your Woman, then it feels like it got waylaid by mansplaining' so all those men directing and producing it could feel better.

It was irrational for a woman to end it that way, especially with that silly last bit of dialogue. Instead of only one woman above the line, they should have all been women to hold the sentiment true to the intent. Oh the futility of the madness created by men.

The subtitle of this film should be 'Enough! An error has occured. Please try again. Create a list ». F-D: my top civil war and slavery movies.

I Am allowed to be angry. Films for Kevin Beggan. Lucy's Film Recs: Hidden Gems. See all related lists ». Share this page:. I watched as the doors went open. Then, I watched them as they closed. Or at least Hollywood and the media saw it that way. He had the disheveled good looks and gruff, bad-boy attitude, he smoked, drank: he was another Johnny Depp or Mickey Rourke, in the making as far as studios, magazine editors and publicists were concerned. And so the kind of fame that Dorff and Hollywood were so convinced was coming never arrived.

But he turned it down, citing the ten-year commitment and his fear of being stereotyped as the reasons. And apparently he ruffled feathers, with Hartnett claiming that that decision alienated a lot of Hollywood power players, including his own agents.

Everybody was trying to put me in action movies and heroic roles and I wanted to find more complex things. Let us know below. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. Back to IndieWire.